Paint Schoodic

Join Carol L. Douglas at beautiful Acadia National Park, August 6-11, 2017. More details here!

Wednesday, July 27, 2011

Join me at the Irondequoit Inn this weekend

Piseco Outlet 12X9 Oil

(click for a larger view)


Irondequoit Inn's 2011 featured artist

Mark your calendars for a meet the artist reception on 7/29 from 6pm to 8 pm and a roundtable discussion on "Why Art Matters" on 7/31 at 1:00pm (click to sign up).

Carol Douglas is a well-known Rochester artist and teacher whose work has been shown in solo and group exhibitions throughout the East Coast including several Chautauqua National Exhibitions.

View from Irondequoit Inn

Sunny Day 11X14 Oil

(click for a larger view)

She studied figure, anatomy for artists and painting at the Art Students League in New York with Joseph Peller, Cornelia Foss and Nicki Orbach, among others.

She is a former state chairperson of New York Plein Air Painters and a signature member of that group. She is a member of Oil Painters of American and Landscape Artists International.

She teaches studio and figure painting in her Brighton studio and plein air in the Rochester area and in workshops. Her work is primarily in oil and pastel and is in public and private collections nationwide.

Crossing Big Bay on Route 10 14X18 Oil

(click for a larger view)


Friday, July 15, 2011

Today’s little exercise, a one hour sketch after my class.



West breakwall at Irondequoit Bay, some smallish size or another, oil on canvasboard

Kamillah Ramos was game to paint another hour with me after class so I did a quick study. The problem I'm finding is that the paint hasn’t the gamut for the water color. (It's rare in WNY to have that insane saturated aquamarine, but we’re having strangely clear skies). On top of that, my camera hasn’t the range to record the color in the painting very accurately, but I’ve given it my best shot. Ahem.

I see this scene as a Maxfield Parrish kind of thing, in unearthly light. I think it’s worth repainting in a more studied format; do you?

Here’s the set-up… again for benefit of my students. Laid down darks first, then midtones, then lights; then refined the shapes.


Thursday, July 14, 2011

How to set up a field sketch, for my students' edification

Cottage at Sea Breeze, 12X16" oil sketch

This is for my students... a primer in setting up a painting. This is not a finished painting, and it's probably a bit on the "tight" side since I was doing it solely to demonstrate how I want them to work tomorrow, but so be it.

My goal was to finish this in three hours, including set-up and tear down, since that's what I expect of them.

  1. I did a sketch in watercolour pencil; then followed that by blocking in the darks.

  2. Then I blocked in the major shapes, working from dark to light, in the right values and hues.

  3. Then I added such details as I was able to finish in the time allotted.
Done in 2 hours, 45 minutes, actually. Would have put the fence details in with a rigger brush but I forgot to bring it. And it was time to go canoeing with my kids.

Wednesday, July 13, 2011

Painting on a dock on the bay...

I spent a few hours on Irondequoit Bay this morning, painting Mayer's Marina, across the swing bridge in Webster (a hundred feet by water, miles away by car until the bay closes to marine traffic and the swing bridge is moved back into place). Nothing brilliant, just an exploratory oil sketch. A more finished picture would have more room to the right, but it's the road behind the old building that interests me most.


Mayer's Marine from the Swing Bridge, oil on canvas, 16X20


And I did this fast (five minute) oil sketch of a fisherman for Zoe Clark. Took a photo and gave it to him... he wasn't catching anything, so at least he came away with a 'snapshot' of his day!

Fisherman at Irondequoit Bay, oil on canvas, 6X8