It’s not often you get a model showing up with a black eye, and that’s irresistible to paint. (Before you get worried that she’s the victim of domestic abuse, she’s a dancer and occasionally her face gets in someone else’s way.)
During the interregnum between open painting and figure, I usually set up my palette in a flesh-tone matrix. This is how I’m able to do a credible figure painting in three hours. Today, a number of interruptions stopped me from doing that, and I ended up doing the first hour of painting using pigments scarfed from a student’s palette. On top of that, I’m working huge for a sketch—this canvas is 48X36. So most of this is a rough underpainting, and I’ll be finishing it next week.
Michelle's shiner, in draft form
A note about this model: she’s a wonderful, adventurous nut, who allows me to wrap her up in Saran Wrap.
Michelle as a shrink wrapped vegetable, 18X24, oil on canvas