|Baby Jake, tiny sketch by me while he slept in my lap.|
Most of my successful artist pals are childless. This makes perfect sense in the modern world, for fine arts is a career path that requires long hours for little remuneration, and that often requires travel or living in a child-hostile place like NYC. This means that children and motherhood are generally not subjects for serious modern painting, except in portraiture.
I’ve done two baby portraits, and both were done from photos. Babies wiggle, they have unreliable schedules, and when they’re not sleeping, they’re often hungry or upset about something inscrutable.
|Tiny gesture drawing of baby Jake. His center of gravity is certainly his bottom, although that head weighs a lot, too.|
This weekend I had my infant grandson with me. I’d hoped to paint him during my class, but there were too many students. After class, he and I sat down to rest, and he fell asleep on my lap. I was able to fish a tiny (3.5X5”) sketchbook off the coffee table with my spare hand, and do the attached sketches.
|A fast sketch of Jake's wonderful face before he twisted away again. It's really hard to get the baby head's proportions right.|
When we do gesture drawings in class I tell my students to look for the “axis of power” in the figure—the place from which the subject’s motion is springing. Usually that’s the pelvis; less frequently, it’s the shoulders. In the case of a young infant, I believe that’s usually his rump. He is learning to control his limbs, he pushes himself up with his legs and then collapses, and when he settles down against you, you inevitably end up patting his bottom.
|Tiny gesture drawing of baby Jake as he wiggled himself to sleep.|
There have been very few painters who focused on children. Mary Cassatt—who was unmarried and childless—was one; Kathe Kollwitz—who had childcare so she could concentrate on her career—was another. It’s a pity that we dismiss a subject that’s of such primal importance, for all of us at one time or another have been babies or parents.