Chrissy Pahucki has created an easy platform to experiment with online marketing this Christmas season. You might want to try it.
|This rock study was painted at Upper Jay, in New York. While I might be able to pass it off as Jay, Maine, it would be better to just sell it to someone who loves the Adirondacks.|
Over time, an artist’s studio gets overrun with orphan work. These are the one or two paintings from a previous body of work, field sketches that came back from trips and weren’t sold, and work left from plein air events. The more you’re making art, the more these things tend to clog up the works. In fact, if we were to be strictly honest, we sometimes want to sell paintings mainly to make room to make more paintings.
Like most painters, I have a bin of plein air studies. This is where I drop things that I’m not going to pursue. Visitors are welcome to fish through them whenever they stop by, but they’re not orphan work. They’re my repository of ideas.
|This spring lake was painted in New York. It should go home to New York.|
A non-artist would be shocked by the turnaround time for selling artwork; it can take several years for a painting to find its buyer. This is why we don’t aggressively mark stuff down at the end of each season: we know its sale depends on it being seen by the right person.
I haven’t had a holiday painting sale in several years, since I moved to the edge of the continent. By the time Thanksgiving rolls around, the visitors are gone and all that’s left around here are other artists.
|This is the last painting I have left of Vigo County, Indiana.|
I decided it was time and that this year I should do it solely online.
Sales events always force me to try to make objective judgments about my paintings. This year, I decided I should mark down work created outside of my current location in midcoast Maine. There are some funny bits and bobs in my studio.
|And one of two I have left of central Pennsylvania.|
I have only one small canvas left of paintings I did in Vigo County, Indiana. I’d had the opportunity to go out there with my friend Jane while she took care of some family business. I have two small canvases left of a set I did from the top of a hillside on Route 125 in Pennsylvania. I’d had a 360° view of rolling farmland and capitalized on it by turning my easel around on the top of the hill. I got most of the way around before the light failed.
Perhaps the most difficult to add to this collection are my two remaining canvases of the Genesee River at Letchworth State Park. I spent a summer driving down to this spot, hiking my equipment into the gorge and concentrating on painting the rock walls. My goal was to learn to simplify and abstract them, and in these two canvases, I think I succeeded in that. But last year, they were knocked from the wall in my gallery and their frames were damaged. I realized then that they perfectly represent the Genesee Valley but have no place in my current inventory, so they, too, are going on the block.
These were part of a series I did from a mountain top, trying to capture 360° in one painting day. I almost succeeded.
Where am I going to do this? My friend Chrissy Pahucki has started an online plein-air store, here. By this weekend, I expect to have my work up, but that’s not why I mention it. I think other artists ought to try it, too. Chrissy is a painter and art teacher herself, and her terms are very reasonable. I haven’t pursued online selling because I didn’t want to have to add e-commerce to my website. This is an easy way for me to dip my toe into this marketplace.