How important are
signs? Just say “Red’s Eats” or “Moody’s Diner” to a summer visitor and then sit back and listen.
Signage, in its most utilitarian form, instructs us. Beyond
that, it is a social art form. It decorates, it identifies, and it communicates
ideas to passers-by.
“Your house has a name!” my Scottish friend Martha exclaimed
when she visited me last summer. Middle-class Americans don’t generally name
their houses. Britons do. But our sign has been there since long before we bought
this place. It is called Richards Hill after the first owner, from when the
surrounding area was farmland. It wasn’t my place to take its nameplate down,
even though I have a different business sign at the street.
In fact, many buildings along Route 1 have multiple signs
from different periods. These are like layers in an archeological dig. There’s
a motel in Lincolnville with a dull 1990s-era street sign. But its office sign
is perfect mid-century neon.
In my town (Rockport) business signs must be small, not
internally lighted, and conform to a setback. That isn’t true everywhere on
Route 1, but it does contribute to the aesthetic of hand-painted, hand-carved
signs that prevails here.
Neon, which was introduced in the 1920s and reached its peak
in the 1940s, is used sparingly. It’s not permitted in Rockport, but in general
it’s expensive, and the tubes break.
Part of the reason signage here is so charming is that
Mainers are basically frugal. They don’t change what ain’t broke. Signs last a
long time if maintained.
The other part is that big-box stores, by and large, have little
presence here. There are some, but they’re not ubiquitous and despoiling, as they are in so many places. The absence of their large, lighted signs is
refreshing.
Signs tell us a lot about the people within the businesses they
advertise. There are antique shops on Route 1 that are barely more than a
rotating flea market. Others are quite
elegant, and their signage is more tasteful.
Signs also reflect personality and background. Here in
Maine, they tend toward the ‘colonial’, which speaks both to their mid-century
vintage and the predominant WASP culture.
How important are signs? Just say “Red’s Eats” or “Moody’s
Diner” to a summer visitor and then listen as they start bubbling over. Signs are
part of a place’s cultural heritage and its community memory. They are
landmarks, sometimes more important than the buildings they mark. They’re
individual, clever, and evocative. That’s art, folks.






