I understand the
impulse to go, but I’m also starting to consider the cost.
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The Sound of Iona, c.
1928, Francis Cadell, private collection
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One place I’d like to return, palette in hand, is Iona, in Scotland. It’s home to one
of Christendom’s oldest
religious sites, but it was also a favorite haunt of the Scottish Colourists.
These were four painters who brought Impressionism and Fauvism home and married them
to their own native landscape. They wouldn’t have broken the constraints of
Scottish tradition without leaving, but at the same time, they were clearly
torn between the two milieus.
I understand the impulse to go, but I’m also starting to
consider the cost.
A Rocky Shore, Iona, undated, Samuel
Peploe, courtesy City of Edinburgh Council
|
Samuel
Peploe was born in Edinburgh. He
studied briefly at the Royal Scottish Academy, and then moved on to
the Académie Julian and Académie Colarossi in Paris. His Scottish plein air work started in 1901, when he began
traveling through the Hebrides with his pal John Duncan Fergusson.
In 1910 Peploe moved back to Paris. It was a short relocation;
he returned to Scotland in 1912. During the 1920s, he summered on Iona with his
friend Francis Cadell.
He died in 1935, after advising his son Denis to not take up art
as a career.
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Dark Sea and Red Sail,
1909, John Duncan Fergusson, courtesy Perth & Kinross Council
|
Disenchanted with the rigid instruction available in his
hometown of Edinburgh, John Duncan Fergusson traveled to Morocco, Spain and
France, determined to teach himself. By the 1920s, he was settled in London. In
1928, he and his wife, dancer Margaret Morris, moved back to Paris,
until the threat of another world war drove them home. They moved permanently to
Glasgow in 1939. He died in 1961, a famous, feted artist.
Francis Cadell,
too, was born in Edinburgh. He studied at the Académie Julian starting at the age of 16. Unlike
his friends, Cadell spent his adult life in Scotland. As a consequence, he concentrated
on intimately local themes—landscapes, New Town
interiors, society portraits, and the white sands of Iona. He served in WW1
with Scottish regiments.
Cadell died in poverty in 1937. His success is largely
posthumous; his paintings now command upwards of half a million pounds.
![]() |
Boats in Harbour,
undated, Leslie Hunter, private collection
|
Leslie
Hunter was the outlier. He was born
in Rothesay, the
only town on the Isle of
Bute. After the death of two of his siblings, his family emigrated to
California. Hunter was 15. By age 19, he had moved alone to San Francisco, where
he worked as an illustrator.
In 1904, Hunter made the requisite visit to Paris. He saw, for
the first time, the fantastic ferment of Impressionism. He returned to San
Francisco and began painting. This body of work was destroyed by the 1906 San
Francisco earthquake. Disappointed, Hunter returned to Scotland, settling
in Glasgow. He was introduced to the Fauvists in a 1907 visit to Paris. There,
his old buddy, Alice Toklas, took him to the Stein
Salon. Hunter was shocked but impressed by the painting.
The outbreak of WW1 forced him back to Glasgow, but by 1927,
Hunter was again in France, sending work back to Britain. In 1929, he suffered
a physical breakdown. His sister fetched him home. Recovered, he still hoped to
break out, this time for London. His health continued to fail and he died in a
nursing home in Glasgow at age 54.
As I write this, I am reminded of a beach near me, also with
white sand, also lovely. No chance of that, however; I’m leaving again on Tuesday.