| Untitled, oil on paper, by Carol L. Douglas |
By the time he got home, I was thoroughly depressed.
Kathleen, Julie, and John all painted gorgeous work yesterday. Meanwhile, I spent
the whole day on marketing stuff. “You didn’t do the Strada
31-day challenge and now they’re all driving past you in their Lamborghinis,”
I scolded myself.
By the time Doug finally made it home, I would have gone
into the backyard to eat worms, except that it’s 0° F. and the worms are all
encased in ice. Did I mention that Mark is teaching in Georgia and Charles is
in California?
| Untitled, by Carol L. Douglas |
“In addition, most of our Facebook friends tend to post
about the good things that occur in their lives, while leaving out the bad…
this may lead us to think their lives are better than they actually are and conversely,
make us feel worse about our own lives. ”
![]() |
| Scrotum man (detail), by Carol L. Douglas |
For the artist, it means we can constantly compare our own
struggles at the easel with our friends’ carefully-lighted, perfectly-photographed
finished work. We can come away wondering why we ever thought we could paint in
the first place.
Social media is a two-edged sword for artists. It is the conduit
through which we (increasingly) pour our work out into the world, but it’s also
a way to burn a lot of time and psychic energy. There’s no turning back, so we
have to develop strategies to protect ourselves from the anxiety it produces.
![]() |
| The Joker, by Carol L. Douglas |
No thought—including envy—can have power over you without
your permission, although you do need to be aware that you’re doing it. One of the best ways to get out of the envy loop is to
distract yourself. Thinking about something else is a proven coping mechanism
for stressful situations. And, luckily, the work we should be doing—making art—is
the best possible distraction from the competitive envy we find so difficult to
process.


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