Artists can’t take tax
deductions for their donated work. Will that change?
A Fitz Hugh Lane Day in Camden,12X9, oil on canvasboard, Carol L. Douglas
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I learned this the hard way. I took a deduction for a
painting I’d donated to the fine conservation group, Ducks
Unlimited. A kindly IRS auditor explained the facts to me—right before she
struck out the deduction and totted up the interest I owed.
It hasn’t always been this way. Before 1970, creators could
deduct the fair-market value of the work they donated. According to a
fascinating opinion
piece by Michael Rips in the New York Times, the deduction was eliminated
because former presidents were inflating the fair-market value of their papers.
Unlike Presidents Lyndon Johnson and Richard Nixon, I can
document the value of my artwork with a track record of sales. The paintings
used to illustrate this post, for example, are among the hundreds I’ve sold in
my career.
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Drying Sails, 10X8,
oil on canvasboard, , Carol L. Douglas
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This anomaly of the tax code, which punishes artists for the
sins of their social betters, is regularly discussed in Congress. Nothing ever
happens, and nothing ever will happen.
Artists don’t have the social muscle to force that change.
But according to Rips, help may be on the way from a
deliciously ironic source, the challenge of campaign
spending laws by the conservative group Citizens United. That’s the case
that has liberals’ panties in a twist about corporations being given the
rights of people.
More precisely, it held that our First Amendment freedom
of speech rights prohibited the government from restricting independent
political expenditures by a nonprofit corporation. Citizens United attempted to
air a film critical of Hillary Clinton before the 2008 Democratic
primary. This violated a Federal statute that prohibited corporations and
unions from engaging in politicking.
“Donations are a protected form of ‘symbolic speech’ (such
as gifts of money, and flag-burning), and the withdrawal of the fair market tax
deduction from the creators of those works is — under the precedent of Citizens
United — a prohibited form of speaker discrimination,” wrote Rips, who, as a
lawyer and novelist, is uniquely qualified to speak to the question. “The
government would have to demonstrate a ‘compelling state interest’ for removing
the deduction — nearly impossible when attempting to justify the denial of the
fair market value deduction to those who donate their own work to cultural institutions.”
Big Boned (Heritage), 16X12,
oil on canvas, ,
Carol L. Douglas
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Rips and his pals are interested because of the negative
effect this has had on new collections in American museums. I’m more
interested in the ability of my fellow painters to support organizations in
which they believe.
I sincerely hope Michael Rips is right, but I'm not changing my strategy just yet.
Give if you support the organization’s goals, and if they
can get a fair-market price for your painting. Give if the fund drive is chaired by your Great Aunt Helga. Just don’t give under the mistaken notion that you’ll get a tax deduction.
