 |
| Graffiti on the Colby Street pedestrian bridge in Rochester. I trudge over it daily, so I can certainly relate to these two flipper men doing endless laps on the bridge. |
Being a believer in private property rights, I’m generally
not amused by graffiti, but last Friday when I came across two swimmers on
the Colby Street pedestrian bridge, I genuinely LOLed. The pedestrian bridge
does kind of look like a 50-meter lap lane, and because it’s a regular part of
my route, I often feel like I’m swimming mindlessly back and forth across it.
 |
| Meh. Not as witty as the first graffiti-artist, but at least he was trying. |
Periodically, people commit acts of art on the pedestrian
bridge (usually involving arrangements of found objects). They seldom last more
than 24 hours before some Philistine knocks them apart. So I wasn’t surprised
to walk by on Monday and see the poor swimmers defaced with a second layer of
graffiti. It wasn’t nearly as witty, but at least the poor anonymous second
writer tried.
 |
| But then comes the inevitable and predictable impulse to destruction. Really makes you despair for the human race. |
Tuesday, the whole thing was scrubbed out by a third
graffiti artist, whose only goal was to deface the message that preceded him.
It’s a great metaphor for the forces of creation and
destruction that coexist in the human heart. In my current bleak mood, it makes
me wonder why artists even try.
My young friend Serina Mo reminded me of this recently by
mentioning the aged enfants
terrible of the British art scene, Jake and Dinos Chapman. In their massive
work of destruction, Insult to Injury,
they defaced a rare folio of Francisco Goya’s Disasters of War.
 |
| From Insult to Injury, 2003, by Jake and Dinos Chapman. The Chapman brothers added nothing to Goya's work. I hope they fade into obscurity, taking their micron pens with them. |
In the short run, it made them famous. It tore at notions of preciousness and art. In the long run, it made the tremendous presumption
that modern sensibilities and intellectualism are superior to the pain and
suffering drawn by Goya. If nothing else, the world should know by now that rich, silly ninnies are transient, but war and death are eternal verities.
Message me if you want information about next year’s classes and workshops.
