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The Meagre Company, 1633-37, Frans Hals and Pieter
Codde. Courtesy Rijksmuseum, Amsterdam. One of the most important Asian
imports to Europe was silk.
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We think of global trade as a modern phenomenon, but trade
has been part of human civilization since long before there were written
records. Artwork is a primary tool for tracking that.
Glass beads were a high-status item in the late Bronze Age. Their
manufacture was restricted to Egypt and Mesopotamia and traded as finished
goods. By 1300 BC, raw glass itself was in international trade. The oldest
glass ingots on trade routes were found in a 1300 BC shipwreck off the
coast of Turkey.
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The Riace Warriors, Greek, c. 460-50 BC, discovered in
the sea off Calabria, Italy.
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Egypt didn’t invent this process, but it controlled it. All
three ancient-world glass furnaces for raw ingot manufacture were in Egypt. This
is where cobalt Egyptian blue glass and copper-based red glasses were first
made. The Amarna Letters (c. 1350 BC) detail the military and
other relationships between Egypt and its vassal states in Syro-Palestine; they
contain frequent requests for glass. Glass beads were nearly as precious as
gold and silver.
By the eighth century BC, the Greeks and Etruscans were part
of an active trade network around the Aegean and Mediterranean. One side effect
was the Orientalizing
of Greek art. Massive imports of raw materials and an influx of foreign
craftsmen introduced new skills into Greece. Its influence was felt in Italy,
Sardinia and the Iberian Peninsula. This trade network expanded to include the
entire Mediterranean. Greek pottery has been found in Marseilles and Carthage
to the west, Crete to the south and Sardis to the East.
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Saint Jerome in his Study, 1480, fresco, Domenico
Ghirlandaio, courtesy chiesa di Ognissanti, Florence.
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The Roman Empire was built upon trade. No tariffs, a common
currency, and secured trade routes led to world domination. They imported raw
materials from as far as Britain to the west, Asia (along the Silk Road) to the
east, and from Germanic and Slavic tribes far outside the empire. In return
they exported Roman culture. Today we find Roman ruins, roads, coins, and mosaics
across Europe.
When the Roman Empire was snuffed out, so were their trade
networks. Trade was controlled by the Caliphates until the Renaissance. This brought
middle eastern art into Iberia, but cut Europeans off from Asia and Africa. These
networks weren’t restored until the Age of Sail.
A fifteenth-century painting by Domenico Ghirlandaio
of St. Jerome is a map of contemporary
global trade. The oriental carpet, glazed albarelli (drug jars) and
crystal vases were all trade goods at the time. Note his spectacles, invented
in Florence in the 13th century.
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Adoration of the Magi, c. 1495–1505, distemper on linen, Andrea Mantegna, courtesy of the Getty.
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In Giovanni
Bellini’s The
Feast of the Gods, there is blue-and-white Chinese porcelain, painted
from the family collection of the patron, the Duke of Ferrara. Porcelain from
the same collection is visible in Andrea Mantegna’s Adoration
of the Magi, c 1500. The reservation of porcelain to gods and princes tells
us just how precious it was.
In 1603, the Dutch seized a Portuguese carrack off the coast
of Singapore. Its manifest is a record of the goods then being traded with Asia:
1,200 bales of raw silk, many chests of damasks and embroideries, innumerable
sacks of spices and sugar, and 60 tons of porcelain.
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The Return to Amsterdam of the Second Expedition to the East
Indies, 1599, oil on canvas, Hendrik Courtesy Rijksmuseum, Amsterdam.
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By the 16th century, the Netherlands was the center
of free trade, which now ranged across the world. This can be seen in images of
the boats they used, and the goods they brought home, including silk, spices, sugar
and fruits.





