It takes time

The Harvest is Plenty, 36X48, by Carol L. Douglas

On Friday I had the opportunity of hearing Dr. James Romaine give a gallery talk at Roberts Wesleyan. He described a piece of art as working in three spheres. There is the material—your technical approach to the work. There is the subject. The meaning comes from the marriage of technique and subject. A painting is successful if its subject and technique are integrated so that it has meaning.

Yard, 11x44", 2009 by Joel Sheesley. I’d have missed the references to Thomas Cole and romanticism entirely had Dr. Romaine not pointed them out in his talk.

Gustave Flaubert is reputed to have said, “The art of writing is the art of discovering what you believe.” I think this is also true of painting. The artist starts out with a subject and materials and the meaning appears as he or she goes along. The mind is a mysterious and mighty tool. Allowed to work in the background, it comes up with some powerful stuff.

Dr. Romaine analyzed my painting The Harvest is Plenty. He started by pointing out things that came from the conscious side of my mind, even if they weren’t conscious decisions. I believe in a Providential God, for example, and  I know my Dutch Golden Age painters, which he saw in the low, flat horizon and the rainbow. The bottom two-thirds of the painting, he said, was fairly standard in its composition.

Dr. Romaine talked about Luvon Sheppard's marriage of the mystical with a real sense of place. To me, it's awfully important that the place is Rochester, because it tells me what my mission field is.

Then he talked about the storm cloud. It takes up half the canvas; it rises out of the frame over the head of the viewer. When I painted The Harvest is Plenty, I was recovering from a cancer treatment in which I hemorrhaged. Chaos seemed very close to enveloping me. I recollect that I had a terrible time drawing the storm cloud to match my sketch; it chose its ultimate shape, not me. But until he talked about it, I had no idea how autobiographical that storm cloud was.

Much of what is wrong with contemporary art is that the cart has been put before the horse. We are bludgeoned over the head with artificial meaning by artists who can’t or won’t concentrate on their materials. Artists pursue meaning—even when the meaning is explicitly the lack of meaning—instead of concentrating on the material and subject and allowing the meaning to grow up organically from that.

Let me know if you’re interested in painting with me on the Schoodic Peninsula in beautiful Acadia National Park in 2015 or Rochester at any time. Click here for more information on my Maine workshops! Download a brochure here.

The Christian artist

Dead Wood, 48X36, oil on linen, 2014 by Carol L. Douglas

Tomorrow is the Schoenhals Symposium gallery talk by Dr. James Romaine at Roberts Wesleyan’s Davison Gallery. Luvon Sheppard and I both have work hanging in Objects of Grace at the gallery. We have been asked to say a few words at the end of Dr. Romaine’s talk.

How do you compress what it means to be a Christian artist into a few words, especially when you’re a Christian artist who’s been recently shut down for obscenity?

The role of the artist is much like that of prophet or priest: we are here to tell the truth. Sometimes that takes the form of a beautiful landscape and sometimes that takes the form of pointing out injustice.

He has told you, O man, what is good; and what does the Lord require of you but to do justice, and to love kindness, and to walk humbly with your God? (Micah 6:8)

It is very easy to show and sell art that sexualizes women. After all, just last week Kim Kardashian filmed a naked trailer for her reality show. But use nakedness to talk about injustice and you make people very uncomfortable. And yet misogyny is one of the great besetting sins and something we should speak out against.

The Beggar, 36X48, oil on linen, 2014 by Carol L. Douglas

There is neither Jew nor Greek, there is neither slave nor free, there is no male and female, for you are all one in Christ Jesus. (Galatians 3:28)

The talk and reception are from noon to one PM. If you’re around, I hope you’ll join us.

Let me know if you’re interested in painting with me on the Schoodic Peninsula in beautiful Acadia National Park in 2015 or Rochester at any time. Click here for more information on my Maine workshops! Download a brochure here.

Objects of Grace

The Heavens Declare, 48X36, oil on linen, 2014

This month I have three pieces in Objects of Grace at Roberts Wesleyan’s Davison Gallery. This show was designed to accompany the school’s Schoenhals Symposium, which this year features art historian and writer Dr. James Romaine.

Dr. Romaine is a New York-based art historian. He is the president and co-founder of the Association of Scholars of Christianity in the History of Art and Associate Professor of Art at Nyack College.

Beauty Instead of Ashes, 48X36, oil on linen, 2014

Three Dimensions of Christian Creativity is scheduled for Thursday, March 19 at 4 PM at the Smith Science Center Auditorium. Romaine will discuss The Art of Tim Rollins + K.O.S. on Friday, March 20 at 4 PM in the same venue, and will lead a discussion at the Davison Gallery on Friday, March 20, from noon to one.

That’s where I come in. Included in the exhibit are four artists (Sandra Bowden, Makoto Fujimura, Edward Knippers, and Joel Shessley) featured in Dr. Romaine’s book, Objects of Grace: Conversations on Creativity and Faith. Also in the exhibit are three “significant local artists treating Christian themes, Scot Bennett, Carol Douglas and Luvon Sheppard,” and pieces from Robert Wesleyan’s permanent collection.

The Harvest is Plenty, 48X36, oil on linen, 2014

I have long been a fan of Luvon Sheppard’s work. His watercolors of Rochester capture the pulse of the city perfectly, with a high degree of technical excellence. He’s a man of faith, but he doesn’t beat the viewer over the head with it. It’s a great honor to be showing with him.

Interested in attending Dr. Romaine’s talks? The Symposium brochure is available here.

Let me know if you’re interested in painting with me on the Schoodic Peninsula in beautiful Acadia National Park in 2015 or Rochester at any time. Click here for more information on my Maine workshops! Download a brochure here.