Selling is not selling out. If nothing else, you
can use the money to buy more paint.
| Keuka Lake, by Carol L. Douglas. All that vert is beautiful, but tough on allergies. |
The Adirondacks were never permanently settled by the Iroquois
and Algonquin. They hunted there and brawled with each other. The winters are
too cold, the summers are rainy, and the soil is thin.
I haven’t had an asthma attack since I left New York. Rochester
is a city of lovely gardens, which means heavy pollen. I loved to garden; I hated my
allergies. In Maine, nobody fusses with rare plants, and the offshore breezes
keep the pollen down. I replace my rescue inhaler annually but never need it.
| Letchworth Middle and Upper Falls, by Carol L. Douglas. |
Last week in the Adirondacks I was having twinges of
breathing trouble. It was nothing that I couldn’t control by sitting quietly.
When I arrived at Long Beach Island, NJ, my asthma bloomed with terrific
ferocity.
“Welcome to New Jersey,” my New Jersey pal Toby texted me when I complained. I blamed the cedars and retreated to air conditioning.
“Welcome to New Jersey,” my New Jersey pal Toby texted me when I complained. I blamed the cedars and retreated to air conditioning.
With temperatures in the mid-eighties and no shade, both Bobbi Heath and I were wilting. A few
passers-by expressed amazement that we were painting here instead of at home in
cool, breezy Maine. Why would we do that, they asked. We’re here to sell
paintings.
| Bridle path, by Carol L. Douglas |
Sometimes I meet people at plein air events who say they do these events just to have fun. I’m
not sure if I believe them. These festivals are organized around the
all-important show and sale at the end. The energy is infectious.
Selling your work is important. When people pay money for
your work, they’re telling you that it’s good enough to shell out for. That’s
far better validation than your grandmother’s praise.
Selling is communication, a dialogue between you and the
buyer. Putting your work out with a price tag forces you to see it as
transactional, as a reciprocal exchange of ideas. That, in turn, requires that
you clarify your ideas enough for them to make sense to the viewer. Some people
call that ‘selling out,’ but I’m not talking about producing dreck. I’m talking
about the difference between omphaloskepsis and conversation.
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| Eastern Manitoba forest, by Carol L. Douglas. I love trees but they don't always like me. |
Selling your work grows your fan base, because it puts your
work out there for public consideration. And therein lies the rub. When you
first start out, the work you labored over will probably be met
with cruel indifference. You just need to work through that.
I first started selling paintings because the finished ones
were taking up too much room. And, of course, most of us also need the money,
if only to buy more paint.
According to Toby, today is going to be cooler. We’ve got
paintings to make and a schedule to keep. I sure hope she’s right.

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