| Heavy Weather, done for now. |
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| Occasionally, optics can make the ocean look reddish. I took this photo off Sandy Hook, NJ. |
“That should make it therapeutic to paint,” my friend B.
said. I don’t really think so, but realizing it is autobiographical made it
very easy for me to reach through the painting to correct its fundamental
problem.
| Heavy weather, increasing the seas. |
My cousin Antony is a dedicated sailor. He got right to the
issue when he said, “I would expect a lot more white water around if you only
had a storm jib up.” Reference photos have a way of flattening hills,
mountains, vistas—and raging seas. I needed to feel the water as a surging
force, and then paint it as such. Once I realized what I was painting, that was a snap.
This is exploratory, and there are qualities that are very
tentative. I have no problem painting water en
plein air, but I need a little more assurance to get the same insouciance
from reference photos, especially when I don't have any particularly good ones.
| Heavy weather, underpainting. |
I’m going to revisit this same subject in a few weeks. But
before that happens, I’m off to Maine to do some research for next summer. I’m planning
to freeze off my ears so that when you come to Schoodic to paint next August,
it will be a perfect trip!
Let me know if you’re interested in painting with me in Maine in 2015 or Rochester at any time. Click here for more information on my Maine workshops! Download a brochure here.
Let me know if you’re interested in painting with me in Maine in 2015 or Rochester at any time. Click here for more information on my Maine workshops! Download a brochure here.

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