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| The symmetry of Thomas Hart Benton's mural at the Power Vista balances the Iroquois and Europeans, who are also evenly matched in stature, equipment and clothing. |
When I was a child, we used to take field trips to the
Niagara Power Vista. This is a glorified observation deck over the Niagara
River. (Back in the day, we actually saw one of these behemoth turbines at rest
in the bottom of its deep chute, which was a terrifying experience to a child
with imagination.)
Among the attractions was a mural by Thomas Hart Benton.
While other Benton murals are being transferred to major museums, this one sat for years in direct sunlight, fading. In
honor of the Power Vista’s 50th anniversary, it’s been restored.
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Father Louis Hennepin discovering Saint Anthony Falls, Douglas Volk (1905). The difference between
Benton’s and Volk’s characterization of the Native people is striking.
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Thomas Hart Benton established his reputation in the 1930s
with five murals that championed a new American art movement known as
Regionalism. His was the most well-known voice of the Work Projects
Administration (WPA) mural program. He was the first artist ever featured on
the cover of Time magazine (in 1934).
His Power Vista mural depicts the Belgian missionary Fr.
Louis Hennepin blessing Niagara Falls in the winter of 1677. Those who know and
love the Falls recognize the topography, as stylized as it is. What I most
admire is the respect Benton showed to Hennepin’s Iroquois guides. The Iroquois
were far from savages. Not significantly behind the Europeans of the time, they
quickly adopted what technology they didn’t have. They were mercantile and
warlike, and Benson paints them and their European counterparts as equals.
Let me know if you’re interested in painting with me in Maine in 2015 or Rochester at any time. Click here for more information on my Maine workshops! Download a brochure here.



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